MELBOURNE'S ONLY MASTERING HOUSE TOTALLY DEDICATED TO INDEPENDENT ARTISTS
MELBOURNE'S ONLY MASTERING HOUSE TOTALLY DEDICATED TO INDEPENDENT ARTISTS
Cranesong HEDD 192
Manley Vari-Mu (T-bar and HPSC mods)
Waves L2 48bit Ultramaximiser
Dangerous D-Box
SSL X-Patch
Millennia NSEQ-2 (Fred Forssell mod)
Lucid Genx192
Tube-Tech SMC 2A
Manley Massive Passive
Dangerous S&M
Mercury EQ-H1 (Pultec EQ) x 2
Barefoot MM27 - pair
Barefoot MM26 - pair
AAVIMTechnology SAS 7K
Harrison Mixbus 32C
Wavelab Pro
Cutting-edge mastering plugs
Alesis ADAT x2 (blackface)
Tascam 122 Cassette
Sherwood pro turntable
Plextor CD Burning
Hammond L100
Ibanez lawsuit LP (1975) Cherry Red
The Woogie ;-)
Tortech Balanced Power Supply
There is a great benefit to both digital and analogue mastering tools. More recent digital mastering tools have become fantastic and truly indispensable in mastering and at the same time, there is still nothing like good quality analogue circuity to get your mix pumping - the warmth, detail, excitement, and depth of field it delivers.
For many recordings, this is what really brings the record to life and helps it sound like a release that is beautiful to listen to. In our opinion, the two worlds of analogue and digital both have their strengths and in fact, work wonderfully in harmony with each other to deliver.....
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